Monday, March 19, 2012

CRTW 422: Third performance


Two women sit in an expensive home office of one of the women. They wear expensive suits, sip bourbon and smoke cigars. Boss De Luca wears a red carnation in her lapel.

Dani: Michelle wants to see you.

Boss De Luca: I’d like to tell her to go to hell.

Dani: Do you want me to send her away?

Boss De Luca: No. On this, the day of my son’s wedding, I’ll agree to meet with her.

Dani: Alright.

Boss De Luca: Not yet, you and I have some business to discuss.

Dani: Everything alright, boss?

Boss De Luca: I’ve been thinking a lot lately about how I built this family. We were nothing. My mother, she was a great woman, may she rest in peace. I loved her more than my own life, but she did not know how to run this family. No one knew what we were capable of. There was no respect for our foremothers to be had. And it’s gotten me thinking. Tonia died six months ago. Dani, you’re now the next in line. That means that when I die, which might very well be soon, seeing as this Bracco business is getting out of hand, that you’ll be the head of this family.

Dani: I suppose that’s true. But you don’t need to worry about being killed with Maria and I around. We’ll make sure you’re safe.

Boss De Luca: You’re losing my point. You’re 24 years old now, and I want to make sure this is the line you want to walk.

Dani: What do you mean, ma?

Boss De Luca: You’re old enough to know yourself, and I want to make sure this is the person you are, the path you want to travel, before you move any further forward. Because after today, it won’t be as easy to go back.

Dani: What are you talking about?

Boss De Luca: I have something I need you to do for me. And if you agree to it…well, it means you’re agreeing to take over this family.

Dani: I’m ready, ma.

Boss De Luca: (Looks long and hard at Dani, then finally decides she means it). Tonia was killed 6 months ago. Blown away by those God damned Bracco sisters. Your younger sister Maggie found her body riddled with holes outside her school. Tonia was gunned down while standing outside an elementary school, waiting to take your sister home. This cannot stand. I’ve waited long enough. Waited until I feel like I can finally breathe again. I will never get over the death of my eldest daughter, just as I’d never get over the death of any of you. But here we stand. Tonia gone and you now set up to be the next in line. We have a difficult task in front of us, Dani. Our family’s reputation hangs on the line. All around people wait for our reaction, our retaliation. I made a choice to hold off revenge until your sister’s blood had been dried and washed clean from the streets. But the time has come. I can wait no longer.

Dani: Whatever the plan is, ma, I’m ready. I’ll do whatever you want to repay those bitches.

Boss De Luca: This is part of my problem, Dani. Part of our problem. If you’re serious about taking over for this family, I want you to plan our revenge.

Dani: …what?

Boss De Luca: I won’t be around forever, and it’s better you start this now. It’s the most important part of running the family. Retaliation. And I want it to be good. I want the blood of the Braccos raining from the fucking heavens! I want their heads on spits. I want to wipe them from existence, if that’s what it takes to get the message across not to fuck with us.

Dani: But ma, people already know not to fuck with us.

Boss De Luca: Not if we let the murder of your sister go un-avenged. I will not be seen as going soft. Kill them, Dani. Kill them all.

Dani: I don’t even know where to start.

Boss De Luca: You start one step at a time. Start with what you know. What you don’t know, you find out. Talk to our connections at the NYPD and the mayor’s office.

Dani: What if I’m not cut out for this?

Boss: You are, Dani, forget about it. You’re my daughter. What was the first thing you felt after the grief had settled?

Dani: Rage.

Boss: Exactly. That’s a family rage and it burns in all of us De Luca women. You need to stop trying to keep that in. It will burn you alive. As soon as you let that fire out, you’ll know what to do. Think of your sister Maggie, living with the sight of her sister bloody and full of holes for the rest of her life. Think of your brothers whom we’ve sworn to protect and who are waiting for us to make a move. They depend on us for vengeance.

Dani: Will you help me?

Boss: This is your project. I’m entrusting this most important of tasks to you, my daughter, who I trust above all others. Will you accept the task, and your rightful place as my heir?

Dani: Yes.

Boss: Good. There are a few things you need to know.

Dani: I’m listening.

Boss: You remember Sarah? (Dani nods). Sarah was a fighter. No matter how big the guy was, she’d take them on. Come at her with a fist, she bring a knife, you bring a knife? She’d come at you with a gun. You brought a gun, she’d keep coming at you until one of you was dead.

Dani: What’s the point, boss?

Boss: The point is: you need to find Sarah. She disappeared after Tonia’s death, you know how close they were. Bring her back to the family. She needs protection, and we need her on our side.

Dani: Is that all?

Boss: (Shakes head no) Don’t trust anyone. Not even your own cousins, unless I say. The Braccos have gotten to someone, and I need you to find out who it is. In the meantime, don’t trust anyone’s advice but my own. I can’t bear to lose another daughter. Until we find the rat, everyone’s a fucking rat.

Dani: Alright, I understand.

Boss: Trust your sisters. Remmy is 20, and if she feels ready, let her join you. She’s woman enough to be given the chance.

Dani: I don’t want to pull Remmy into this, she’s happy at school.

Boss: I think you’ll find she’s less content than you believe. She has the rage in her, as well as you and I do. Talk to her. It’s her decision, and yours. If you don’t feel she’s ready, even if she says she is, then you don’t let her help. It’s as much your decision as it is hers.

Dani: I don’t think she’s ready.

Boss: Talk to her first. This is the last thing I have to say to you today.

(Boss De Luca reaches in a drawer and pulls out a silver handgun.)

Boss: I want you to have this. This is for you to use. Each of these bullets has a name of a Brucca on it. I want you to do any killing of a direct Brucca family member. Leave their cousins to your cousins. I want only a De Luca to kill a Brucca. You understand?
Dani: Yes, momma. I understand.

Boss: Now, (She pulls another gun from her drawer and cocks it) send in Michelle.

END

Sunday, March 18, 2012

CRTW 422: Konrad Steiner

This month's bath house reading was really intriguing. Konrad Steiner came into Ypsi from San Diego, California to talk to us about his film making. On Monday, Steiner held a 2 hour lecture on the history on his art form, "The New Talkies." What he does it turn the sound off of films that already exist, and talks over them. Re-narrating, or re writing the dialogue.
The history of this medium started in the 20s when foreign films were imported into Japan without the text slides being translated. People called Benchies would sit beside the screen to narrate what was going on. These narrators became more popular than the actors in the movie being shown.
At his performance on Wednesday, Steiner showed many different types of projects he has completed. A few films he made for pre-recorded dialogue, a few films he talked over live (one he even used his body as a projection screen), two pieces where he collaborated with Carla Harryman. His work has an interesting way of combining writing and film making in a way I never really considered possible. I've seen this type of medium on the Internet, the "Literal Music Videos" are something I'm well familiar with, but I didn't realize it had such a rich history, and that it is such an expansive art form.